Spurlock knew exactly what he was doing, however: speculative mischief, to see how she would act. In the sixth center row sat an unexpected guest, his Classical Greek features stark in the yellow half light. His back was no sooner turned, than she slipped this casket into the box. On one side of the handbill a print of the reigning sovereign, Anne, had been pinned over the portrait of William the Third, whose aquiline nose, keen eyes, and luxuriant wig, were just visible above the diadem of the queen. She seemed tense when not playing, he noted, more so than she had during the first two pieces. It hung from the centre of a stout pole, each end of which rested upon the calloused shoulder of a coolie; an ordinary Occidental chair with a foot-rest. No instrument I've ever used has done me such good service. Does this not disturb you?” 278 “Of course it disturbs me.
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