” Lucy looked at the small shelf which was jammed with thick paperbacks by every major horror novelist of the twentieth century. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. "May come!—it will come!—it shall come!" cried the carpenter, shaking his hand menacingly at him.
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