“The truth!” It was a moment of awkwardness between the two sisters —a moment, too, charged with its own psychological interest, for there were secrets between them which for many months had made their intercourse a constrained and difficult thing. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. ‘No, let me guess,’ he interrupted. “Listen,” she said.
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